{"id":1440,"date":"2019-09-05T14:30:23","date_gmt":"2019-09-05T12:30:23","guid":{"rendered":"http:\/\/nparo.fr\/?p=1440"},"modified":"2020-09-07T12:20:11","modified_gmt":"2020-09-07T10:20:11","slug":"s1-10-09-3e-le-portrait","status":"publish","type":"post","link":"https:\/\/nparo.fr\/?p=1440","title":{"rendered":"\/\/\/ cours : Le portrait"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/Logo-3e-1030x330.png\" alt=\"\" class=\"wp-image-1643\" width=\"237\" height=\"75\" srcset=\"https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/Logo-3e-1030x330.png 1030w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/Logo-3e-300x96.png 300w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/Logo-3e-768x246.png 768w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/Logo-3e-350x112.png 350w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/Logo-3e.png 1300w\" sizes=\"(max-width: 237px) 100vw, 237px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-center has-large-font-size\"><strong> \/\/\/ <\/strong>Cours<strong> : Le portrait<\/strong> <br>&#8211; et &#8211;<br>Projet : \u00ab\u00a0<strong>si j&rsquo;\u00e9tais un personnage imaginaire, je serai &#8230;<\/strong>\u00ab\u00a0<\/p>\n\n\n\n<p class=\"has-text-align-center has-text-color has-medium-font-size\" style=\"color:#ffffff\">TROUVEZ L&rsquo;INTRU ! TROUVEZ L&rsquo;INTRU ! TROUVEZ L&rsquo;INTRU !<\/p>\n\n\n\n<p class=\"has-large-font-size\">\/\/\/ Cours :<strong> Le portrait<\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">&nbsp;<\/h2>\n\n\n\n<p style=\"font-size:25px\">HISTOIRE DE L&rsquo;ART : <strong>LE PORTRAIT<\/strong><\/p>\n\n\n\n<p><span style=\"text-decoration: underline;\">INTRODUCTION<\/span><br><span style=\"text-decoration: underline;\">L&rsquo;histoire de l&rsquo;art<\/span> est une discipline, une mati\u00e8re, que l&rsquo;on enseigne en France depuis l&rsquo;\u00e9cole maternelle jusqu&rsquo;aux \u00e9tudes sup\u00e9rieures (Post-Bac). Elle \u00e9tudie toutes les formes d&rsquo;art depuis leur origine (art pari\u00e9tal) jusqu&rsquo;\u00e0 nos jours. Elle <span style=\"text-decoration: underline;\">explique quand, comment et pourquoi certaines \u0153uvres d&rsquo;art sont r\u00e9alis\u00e9es.<\/span><br><br><span style=\"text-decoration: underline;\">Le portrait est un genre dans l&rsquo;histoire de l&rsquo;art<\/span>. Certains artistes se sont sp\u00e9cialis\u00e9s dans sa r\u00e9alisation alors que d&rsquo;autres ont pr\u00e9f\u00e9r\u00e9 repr\u00e9senter des paysages, des objets inertes (natures mortes), des animaux ou des \u00eatres et lieux imaginaires.<br><br>Depuis le premier portrait jusqu&rsquo;\u00e0 nos jours, les artistes ont r\u00e9alis\u00e9 des portraits pour repr\u00e9senter le plus fid\u00e8lement possible une personne : un personnage c\u00e9l\u00e8bre, une personne qui leur est ch\u00e8re dans le but d&rsquo;en garder le souvenir. <br>Diff\u00e9rentes techniques ont alors \u00e9t\u00e9 utilis\u00e9es : le dessin, la gravure, la sculpture, la photographie, le cin\u00e9ma&#8230; <span style=\"text-decoration: underline;\">La technique du portrait a donc \u00e9volu\u00e9 avec le temps.<\/span><br><\/p>\n\n\n\n<p>Le portrait est donc un art, il peut \u00eatre <strong>individuel<\/strong> (ne repr\u00e9senter qu&rsquo;une personne), on parle aussi d&rsquo;un <strong>autoportrait<\/strong> si l&rsquo;auteur se repr\u00e9sente lui m\u00eame,  de <strong>groupe ou collectif<\/strong> (en repr\u00e9sentant plusieurs personnes), mais il prend \u00e9galement le nom de la technique qu&rsquo;il utilise : <strong>portrait radiophonique<\/strong>, <strong>portrait cin\u00e9matographique<\/strong>, <strong>photographique &#8230;<\/strong><br><span style=\"text-decoration: underline;\">En voici quelques exemples :<\/span><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">&nbsp;<\/h2>\n\n\n\n<figure class=\"wp-block-gallery aligncenter columns-2 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/nparo.fr\/wp-content\/uploads\/2020\/03\/MartinLutherKing-JackLewisHiller-1960-1030x830.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1030\" height=\"830\" src=\"http:\/\/nparo.fr\/wp-content\/uploads\/2020\/03\/MartinLutherKing-JackLewisHiller-1960-1030x830.jpg\" alt=\"\" data-id=\"2571\" data-link=\"http:\/\/nparo.fr\/?attachment_id=2571\" class=\"wp-image-2571\" srcset=\"https:\/\/nparo.fr\/wp-content\/uploads\/2020\/03\/MartinLutherKing-JackLewisHiller-1960-1030x830.jpg 1030w, https:\/\/nparo.fr\/wp-content\/uploads\/2020\/03\/MartinLutherKing-JackLewisHiller-1960-300x242.jpg 300w, https:\/\/nparo.fr\/wp-content\/uploads\/2020\/03\/MartinLutherKing-JackLewisHiller-1960-768x619.jpg 768w, https:\/\/nparo.fr\/wp-content\/uploads\/2020\/03\/MartinLutherKing-JackLewisHiller-1960-1536x1238.jpg 1536w, https:\/\/nparo.fr\/wp-content\/uploads\/2020\/03\/MartinLutherKing-JackLewisHiller-1960-2048x1651.jpg 2048w, https:\/\/nparo.fr\/wp-content\/uploads\/2020\/03\/MartinLutherKing-JackLewisHiller-1960-350x282.jpg 350w\" sizes=\"(max-width: 1030px) 100vw, 1030px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Martin Luther King, J. L. Hiller (1960).<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/nparo.fr\/wp-content\/uploads\/2020\/03\/La_ronda_de_noche_por_Rembrandt_van_Rijn-1642.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1030\" height=\"865\" src=\"http:\/\/nparo.fr\/wp-content\/uploads\/2020\/03\/La_ronda_de_noche_por_Rembrandt_van_Rijn-1642-1030x865.jpg\" alt=\"\" data-id=\"2575\" data-full-url=\"http:\/\/nparo.fr\/wp-content\/uploads\/2020\/03\/La_ronda_de_noche_por_Rembrandt_van_Rijn-1642.jpg\" data-link=\"http:\/\/nparo.fr\/?attachment_id=2575\" class=\"wp-image-2575\" srcset=\"https:\/\/nparo.fr\/wp-content\/uploads\/2020\/03\/La_ronda_de_noche_por_Rembrandt_van_Rijn-1642-1030x865.jpg 1030w, https:\/\/nparo.fr\/wp-content\/uploads\/2020\/03\/La_ronda_de_noche_por_Rembrandt_van_Rijn-1642-300x252.jpg 300w, https:\/\/nparo.fr\/wp-content\/uploads\/2020\/03\/La_ronda_de_noche_por_Rembrandt_van_Rijn-1642-768x645.jpg 768w, https:\/\/nparo.fr\/wp-content\/uploads\/2020\/03\/La_ronda_de_noche_por_Rembrandt_van_Rijn-1642-350x294.jpg 350w, https:\/\/nparo.fr\/wp-content\/uploads\/2020\/03\/La_ronda_de_noche_por_Rembrandt_van_Rijn-1642.jpg 1072w\" sizes=\"(max-width: 1030px) 100vw, 1030px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">La ronde de nuit, Rembrandt (1642)<\/figcaption><\/figure><\/li><\/ul><figcaption class=\"blocks-gallery-caption\"><strong>Portrait  photographique<\/strong> \u00e0 gauche, et <strong>portrait de groupe pictural<\/strong> (pictural = peinture) \u00e0 droite.<\/figcaption><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<iframe loading=\"lazy\" title=\"Arte Radio\" src=\"https:\/\/www.arteradio.com\/son\/2161\/bruiteur?embed\" style=\"border:1px #DADADA solid;\" name=\"\" scrolling=\"no\" scrolling=\"no\" scrolling=\"no\" align=\"bottom\" width=\"600\" height=\"125\"><\/iframe>\n\n\n\n<p><strong>Portrait radiophonique<\/strong> de Pascal Chauvin<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed-youtube aligncenter wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"C&#039;est quoi Beno\u00eet Poelvoorde ? - Blow Up - ARTE\" width=\"760\" height=\"428\" src=\"https:\/\/www.youtube.com\/embed\/ePJcUNRj0U0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption><strong>Portrait cin\u00e9matographique<\/strong> de B. Poelwoord<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<h3 class=\"wp-block-heading\">&nbsp;Enfin, le portrait est attach\u00e9 \u00e0 son mod\u00e8le. Ce n&rsquo;est pas la repr\u00e9sentation, d&rsquo;une femme, d&rsquo;une homme au hasard mais bien l&rsquo;image de quelqu&rsquo;un dont on conna\u00eet le nom et que l&rsquo;on veut faire conna\u00eetre aux autres&#8230;<\/h3>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-very-light-gray-color has-vivid-red-background-color has-text-color has-background\" style=\"font-size:25px\"><strong>QUESTIONS :<\/strong><\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\" style=\"font-size:25px\"><strong><span style=\"text-decoration: underline;\">CONSIGNES de travail :<\/span><\/strong> Observer les images, faites des recherches sur Internet, \u00e9coutez le podcast et regardez la vid\u00e9o pour r\u00e9pondre aux questions suivantes.<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\" style=\"font-size:25px\"><strong><span style=\"text-decoration: underline;\">RENDU ATTENDU :<\/span><\/strong> un fichier pdf avec vos r\u00e9ponses pour le <span style=\"text-decoration: underline;\">mardi 7 avril 2020<\/span><\/p>\n\n\n\n<ul><li>1\/ Qui \u00e9tait Martin Luther King (10 lignes min\/max) ?<\/li><li>2\/ Que repr\u00e9sente le tableau de Rembrandt ?<\/li><li>3\/ Qui \u00e9taient les 3 personnages principaux du tableau : l&rsquo;homme en noir, l&rsquo;homme en blanc et la petite fille ? (10 lignes min\/max)<\/li><li>4\/ Pourquoi la femme de Pascal Chauvin  lui demande toujours de se taire lorsqu&rsquo;il regardent ensemble un film ?<\/li><li>5\/ Quel personnage incarne B. Poelwoord devant une pizzeria ?<br><\/li><\/ul>\n\n\n\n<p class=\"has-very-light-gray-color has-vivid-red-background-color has-text-color has-background\" style=\"font-size:25px\">FIN des QUESTIONS<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>L&rsquo;autoportrait&#8230;<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center has-very-light-gray-color has-vivid-red-background-color has-text-color has-background has-medium-font-size\">TROUVEZ L&rsquo;INTRU ! TROUVEZ L&rsquo;INTRU ! TROUVEZ L&rsquo;INTRU !<\/p>\n\n\n\n<p> <strong>Parmi ces images un intru s&rsquo;est gliss\u00e9, saurez-vous le trouver ?<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-3 wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/William-Turner-Le-Dernier-Voyage-du-T\u00e9m\u00e9raire-1839-1030x766.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1030\" height=\"766\" src=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/William-Turner-Le-Dernier-Voyage-du-T\u00e9m\u00e9raire-1839-1030x766.jpg\" alt=\"William Turner, Le Dernier Voyage du T\u00e9m\u00e9raire-1839\" data-id=\"1170\" data-link=\"http:\/\/nparo.fr\/?attachment_id=1170\" class=\"wp-image-1170\"\/><\/a><figcaption class=\"blocks-gallery-item__caption\">William Turner, Le Dernier Voyage du T\u00e9m\u00e9raire-1839<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/Willem_Clasz._Heda_-_Breakfast_Table_with_Blackberry_Pie_-_Google_Art_Project-1631-1030x681.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1030\" height=\"681\" src=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/Willem_Clasz._Heda_-_Breakfast_Table_with_Blackberry_Pie_-_Google_Art_Project-1631-1030x681.jpg\" alt=\"\" data-id=\"1169\" data-link=\"http:\/\/nparo.fr\/?attachment_id=1169\" class=\"wp-image-1169\"\/><\/a><figcaption class=\"blocks-gallery-item__caption\">Willem_Clasz._Heda_-_Breakfast_Table_with_Blackberry_Pie_<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/JR-Holy-Trytich-2006.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"675\" height=\"477\" src=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/JR-Holy-Trytich-2006.jpg\" alt=\"\" data-id=\"1184\" data-link=\"http:\/\/nparo.fr\/?attachment_id=1184\" class=\"wp-image-1184\" srcset=\"https:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/JR-Holy-Trytich-2006.jpg 675w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/JR-Holy-Trytich-2006-300x212.jpg 300w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/JR-Holy-Trytich-2006-350x247.jpg 350w\" sizes=\"(max-width: 675px) 100vw, 675px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">JR-Holy Trytich-2006<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/vermeer-vue-de-delft-1660-61-72dpi-1030x859.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1030\" height=\"859\" src=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/vermeer-vue-de-delft-1660-61-72dpi-1030x859.jpg\" alt=\"\" data-id=\"1168\" data-link=\"http:\/\/nparo.fr\/?attachment_id=1168\" class=\"wp-image-1168\"\/><\/a><figcaption class=\"blocks-gallery-item__caption\">J. Vermeer-vue-de-delft-1660-61-<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/Henrique-Oliveira-momento-fecundo-2019-IMG_20190717_121240-1030x579.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1030\" height=\"579\" src=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/Henrique-Oliveira-momento-fecundo-2019-IMG_20190717_121240-1030x579.jpg\" alt=\"\" data-id=\"1166\" data-link=\"http:\/\/nparo.fr\/?attachment_id=1166\" class=\"wp-image-1166\"\/><\/a><figcaption class=\"blocks-gallery-item__caption\">Henrique-Oliveira-momento-fecundo-2019-<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/Gianluca-CORONA-Quasi-in-Volo-2015-olio-su-tavola-incamottata-cm-35x60-bassa-1030x599.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1030\" height=\"599\" src=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/Gianluca-CORONA-Quasi-in-Volo-2015-olio-su-tavola-incamottata-cm-35x60-bassa-1030x599.jpg\" alt=\"\" data-id=\"1163\" data-link=\"http:\/\/nparo.fr\/?attachment_id=1163\" class=\"wp-image-1163\"\/><\/a><figcaption class=\"blocks-gallery-item__caption\">Gianluca-CORONA-Quasi-in-Volo-2015-olio-su-tavola-incamottata-cm-35&#215;60-bassa<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/Gregoire-Alexandre-DapperDan_Weston85435HD-2019-e1565800281513.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"535\" src=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/Gregoire-Alexandre-DapperDan_Weston85435HD-2019-e1565800281513.jpg\" alt=\"\" data-id=\"1164\" data-link=\"http:\/\/nparo.fr\/?attachment_id=1164\" class=\"wp-image-1164\"\/><\/a><figcaption class=\"blocks-gallery-item__caption\">Gregoire-Alexandre-DapperDan_Weston8-2019<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/Agnes-Varda-2019-La-Serre-du-Bonheur-IMG_20190717_120451-579x1030.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"579\" height=\"1030\" src=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/Agnes-Varda-2019-La-Serre-du-Bonheur-IMG_20190717_120451-579x1030.jpg\" alt=\"\" data-id=\"1161\" data-link=\"http:\/\/nparo.fr\/?attachment_id=1161\" class=\"wp-image-1161\"\/><\/a><figcaption class=\"blocks-gallery-item__caption\">Agnes-Varda-2019-La-Serre-du-Bonheur-2019<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/Tournesols-VanGogh-1888-1889-824x1030.jpeg\"><img loading=\"lazy\" decoding=\"async\" width=\"824\" height=\"1030\" src=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/Tournesols-VanGogh-1888-1889-824x1030.jpeg\" alt=\"\" data-id=\"1191\" data-link=\"http:\/\/nparo.fr\/?attachment_id=1191\" class=\"wp-image-1191\"\/><\/a><figcaption class=\"blocks-gallery-item__caption\">V. Van Gogh Tournesols&#8211;1888-1889<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p class=\"has-text-color has-background has-medium-font-size\" style=\"background-color:#ffffff;color:#ffffff\">QUELQUES PORTRAITS <\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>QUELQUES EXEMPLES de PORTRAITS <\/strong><\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-5 is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/photo-portraitmetier1860_laboiteverte.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"876\" src=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/photo-portraitmetier1860_laboiteverte.jpg\" alt=\"\" data-id=\"1350\" data-link=\"http:\/\/nparo.fr\/?attachment_id=1350\" class=\"wp-image-1350\" srcset=\"https:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/photo-portraitmetier1860_laboiteverte.jpg 600w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/photo-portraitmetier1860_laboiteverte-205x300.jpg 205w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/photo-portraitmetier1860_laboiteverte-240x350.jpg 240w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/JR-Holy-Trytich-2006.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"675\" height=\"477\" src=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/JR-Holy-Trytich-2006.jpg\" alt=\"\" data-id=\"1184\" data-link=\"http:\/\/nparo.fr\/?attachment_id=1184\" class=\"wp-image-1184\" srcset=\"https:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/JR-Holy-Trytich-2006.jpg 675w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/JR-Holy-Trytich-2006-300x212.jpg 300w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/08\/JR-Holy-Trytich-2006-350x247.jpg 350w\" sizes=\"(max-width: 675px) 100vw, 675px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">JR-Holy Trytich-2006<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/02\/Gandhi_smiling_1942p.png\"><img loading=\"lazy\" decoding=\"async\" width=\"218\" height=\"300\" src=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/02\/Gandhi_smiling_1942p.png\" alt=\"\" data-id=\"789\" data-link=\"http:\/\/nparo.fr\/?attachment_id=789\" class=\"wp-image-789\"\/><\/a><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/american-gothic-grant-wood-1930.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"636\" height=\"767\" src=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/american-gothic-grant-wood-1930.jpg\" alt=\"\" data-id=\"1446\" data-link=\"http:\/\/nparo.fr\/?attachment_id=1446\" class=\"wp-image-1446\" srcset=\"https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/american-gothic-grant-wood-1930.jpg 636w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/american-gothic-grant-wood-1930-249x300.jpg 249w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/american-gothic-grant-wood-1930-290x350.jpg 290w\" sizes=\"(max-width: 636px) 100vw, 636px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">American-Gothic-Grant-Wood-1930<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/jeune-fille-perle-vermeer-1665-880x1030.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"880\" height=\"1030\" src=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/jeune-fille-perle-vermeer-1665-880x1030.jpg\" alt=\"\" data-id=\"1447\" data-link=\"http:\/\/nparo.fr\/?attachment_id=1447\" class=\"wp-image-1447\" srcset=\"https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/jeune-fille-perle-vermeer-1665-880x1030.jpg 880w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/jeune-fille-perle-vermeer-1665-256x300.jpg 256w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/jeune-fille-perle-vermeer-1665-768x899.jpg 768w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/jeune-fille-perle-vermeer-1665-299x350.jpg 299w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/jeune-fille-perle-vermeer-1665.jpg 1024w\" sizes=\"(max-width: 880px) 100vw, 880px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Jeune-Fille-\u00e0 la perle-J.Vermeer-1665<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/joconde-L-vinci-1506-691x1030.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"691\" height=\"1030\" src=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/joconde-L-vinci-1506-691x1030.jpg\" alt=\"\" data-id=\"1448\" data-link=\"http:\/\/nparo.fr\/?attachment_id=1448\" class=\"wp-image-1448\" srcset=\"https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/joconde-L-vinci-1506-691x1030.jpg 691w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/joconde-L-vinci-1506-201x300.jpg 201w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/joconde-L-vinci-1506-768x1145.jpg 768w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/joconde-L-vinci-1506-235x350.jpg 235w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/joconde-L-vinci-1506.jpg 1024w\" sizes=\"(max-width: 691px) 100vw, 691px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Joconde-L-Vinci-1506<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/portrait-adele-klimt-1907-1030x1030.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1030\" height=\"1030\" src=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/portrait-adele-klimt-1907-1030x1030.jpg\" alt=\"\" data-id=\"1449\" data-link=\"http:\/\/nparo.fr\/?attachment_id=1449\" class=\"wp-image-1449\" srcset=\"https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/portrait-adele-klimt-1907-1030x1030.jpg 1030w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/portrait-adele-klimt-1907-80x80.jpg 80w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/portrait-adele-klimt-1907-300x300.jpg 300w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/portrait-adele-klimt-1907-768x769.jpg 768w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/portrait-adele-klimt-1907-350x350.jpg 350w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/portrait-adele-klimt-1907.jpg 1415w\" sizes=\"(max-width: 1030px) 100vw, 1030px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Portrait-Adele-Klimt-1907<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/ronmueck-boy-2013.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"360\" src=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/ronmueck-boy-2013.jpg\" alt=\"\" data-id=\"1450\" data-link=\"http:\/\/nparo.fr\/?attachment_id=1450\" class=\"wp-image-1450\" srcset=\"https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/ronmueck-boy-2013.jpg 480w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/ronmueck-boy-2013-300x225.jpg 300w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/ronmueck-boy-2013-350x263.jpg 350w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">Ron-Mueck-boy-2013<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/serigraphie-marilyn-monroe-andy-warhol-1967.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"603\" height=\"597\" src=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/serigraphie-marilyn-monroe-andy-warhol-1967.jpg\" alt=\"\" data-id=\"1451\" data-link=\"http:\/\/nparo.fr\/?attachment_id=1451\" class=\"wp-image-1451\" srcset=\"https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/serigraphie-marilyn-monroe-andy-warhol-1967.jpg 603w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/serigraphie-marilyn-monroe-andy-warhol-1967-80x80.jpg 80w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/serigraphie-marilyn-monroe-andy-warhol-1967-300x297.jpg 300w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/serigraphie-marilyn-monroe-andy-warhol-1967-350x347.jpg 350w\" sizes=\"(max-width: 603px) 100vw, 603px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">serigraphie-Marilyn-Monroe-Andy-Warhol-1967<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><a href=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/vertumne-arcimboldo-1590.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"832\" height=\"1024\" src=\"http:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/vertumne-arcimboldo-1590.jpg\" alt=\"\" data-id=\"1452\" data-link=\"http:\/\/nparo.fr\/?attachment_id=1452\" class=\"wp-image-1452\" srcset=\"https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/vertumne-arcimboldo-1590.jpg 832w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/vertumne-arcimboldo-1590-244x300.jpg 244w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/vertumne-arcimboldo-1590-768x945.jpg 768w, https:\/\/nparo.fr\/wp-content\/uploads\/2019\/09\/vertumne-arcimboldo-1590-284x350.jpg 284w\" sizes=\"(max-width: 832px) 100vw, 832px\" \/><\/a><figcaption class=\"blocks-gallery-item__caption\">vertumne-Arcimboldo-1590<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p class=\"has-very-light-gray-color has-vivid-red-background-color has-text-color has-background has-medium-font-size\"><strong>CARACT\u00c9RISTIQUES DU PORTRAIT<\/strong> ?<\/p>\n\n\n\n<p class=\"has-text-align-left has-very-light-gray-color has-vivid-red-background-color has-text-color has-background\">1\/ Quels sont les \u00e9l\u00e9ments communs \u00e0 tous ces portraits ?<br>2\/ Quels sont les \u00e9l\u00e9ments incontournables pour r\u00e9aliser un portrait ?<br><br><strong>FICHE D&rsquo;ACTIVITE : <a rel=\"noreferrer noopener\" aria-label=\"t\u00e9l\u00e9chargez ici (s\u2019ouvre dans un nouvel onglet)\" href=\"http:\/\/www.nparo.fr\/DATAS\/3e\/fiche-cours-caracteristiques-portrait.pdf\" target=\"_blank\">t\u00e9l\u00e9chargez ici<\/a><\/strong><\/p>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<p>&nbsp; &nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">M\u00c9THODOLOGIE<\/h2>\n\n\n\n<p class=\"has-medium-font-size\"><strong>ANALYSE D&rsquo;OEUVRE o\u00f9 comment analyser un portrait ?<\/strong><br><\/p>\n\n\n\n<p>Pour analyser une oeuvre-portrait il faut r\u00e9pondre aux questions suivantes :<br><strong>1\/ DEVANT QUEL TYPE D&rsquo;\u0152UVRE SUIS-JE ?<\/strong> : une peinture, une photographie, une sculpture&#8230;???<br>Le document que l&rsquo;on m&rsquo;a donn\u00e9 me donne t&rsquo;il des indications de <strong>taille<\/strong>, d&rsquo;<strong>auteur<\/strong>, de <strong>dates<\/strong> et de <strong>technique<\/strong>.<br>Cette oeuvre a t&rsquo;elle <strong>un titre<\/strong> ?<br><br>Puis, je passe \u00e0 l&rsquo;\u00e9tape 2 o\u00f9 j&rsquo;essaie de r\u00e9pondre \u00e0 la question suivante :<\/p>\n\n\n\n<p><strong>2\/ QUELS SONT LES \u00c9L\u00c9MENTS REPR\u00c9SENT\u00c9S DANS CE TABLEAU ?<\/strong>, en allant du fond de l&rsquo;image (l&rsquo;arri\u00e8re plan) au premier plan. J&rsquo;essaie dans cette \u00e9tape d&rsquo;\u00eatre le plus pr\u00e9cis possible. <br>A cette \u00e9tape, je dois d\u00e9crire les \u00e9l\u00e9ments de d\u00e9cor, les accessoires et la posture du sujet repr\u00e9sent\u00e9.<\/p>\n\n\n\n<p>Puis je passe \u00e0 l&rsquo;\u00e9tape 3 o\u00f9 j&rsquo;essaie de r\u00e9pondre \u00e0 la question suivante :<\/p>\n\n\n\n<p><strong>3\/ QUE SIGNIFIE CE TABLEAU, POURQUOI A T&rsquo;IL \u00c9T\u00c9 PEINT ?<\/strong><br>A cette \u00e9tape vous devez faire preuve de perspicacit\u00e9 et comme un enqu\u00eateur faire des hypoth\u00e8ses et deviner le but de tout ceci.<br>A moins d&rsquo;\u00eatre tr\u00e8s cultiv\u00e9, vous ne saurez pas r\u00e9pondre directement \u00e0 cette question.<strong> Il vous faudra donc \u00e0 partir des points 1\/ et 2\/ essayer de deviner et justifiant votre r\u00e9ponse<\/strong> et <strong>sans oublier ce que provoque en vous cette image :<\/strong> du d\u00e9go\u00fbt ? de la surprise ? de l&rsquo;envie ?&#8230;<br><br><strong>Qu&rsquo;\u00e0 voulu faire passer comme message l&rsquo;auteur de cette \u0153uvre ?<\/strong><\/p>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-columns has-2-columns is-layout-flex wp-container-core-columns-is-layout-4 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns has-2-columns is-layout-flex wp-container-core-columns-is-layout-2 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-very-light-gray-color has-vivid-red-background-color has-text-color has-background\"><strong>EXERCICE-1, analyse d&rsquo;oeuvre<\/strong>  <br><a href=\"http:\/\/www.nparo.fr\/DATAS\/3e\/Fiche-Brassempouy-aveccorrection.pdf\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (s\u2019ouvre dans un nouvel onglet)\">t\u00e9l\u00e9charger la fiche ici<\/a><\/p>\n\n\n\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-very-light-gray-color has-vivid-red-background-color has-text-color has-background\"><strong>EXERCICE-2, devoir maison pour le 5 novembre 2019 :<\/strong>  <br><a rel=\"noreferrer noopener\" aria-label=\"t\u00e9l\u00e9charger la fiche ici (s\u2019ouvre dans un nouvel onglet)\" href=\"http:\/\/www.nparo.fr\/DATAS\/3e\/fiche-exerciceAdele-Klimt-devoirdu5nov2019.pdf\" target=\"_blank\">t\u00e9l\u00e9charger la fiche ici<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns has-2-columns is-layout-flex wp-container-core-columns-is-layout-3 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p><strong>&nbsp;<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-large-font-size\">\/\/\/ Projet : \u00ab\u00a0<strong>si j&rsquo;\u00e9tais un personnage imaginaire, je serai &#8230;<\/strong>\u00ab\u00a0<\/p>\n\n\n\n<div class=\"wp-block-columns has-2-columns is-layout-flex wp-container-core-columns-is-layout-5 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\"Fiche d'activit\u00e9 1  (s\u2019ouvre dans un nouvel onglet)\" href=\"http:\/\/www.nparo.fr\/DATAS\/3e\/fiche-activit\u00e9s-1-portrait imaginiare.pdf\" target=\"_blank\">Fiche d&rsquo;activit\u00e9 1 \u00e0 t\u00e9l\u00e9charger <\/a><\/strong><br>(Recherches graphiques et mise en sc\u00e8ne)<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong><a rel=\"noreferrer noopener\" aria-label=\"Acc\u00e8s \u00e0 l'espace ressources (s\u2019ouvre dans un nouvel onglet)\" href=\"https:\/\/padlet.com\/nparo18\/r0994lpkekks\" target=\"_blank\">Acc\u00e8s \u00e0 l&rsquo;espace ressources ici toutes les recherches regroup\u00e9e<\/a><a href=\"https:\/\/padlet.com\/nparo18\/r0994lpkekks\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Acc\u00e8s \u00e0 l'espace ressources (s\u2019ouvre dans un nouvel onglet)\">s<\/a><\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<p>&nbsp; Le projet de photo montage num\u00e9rique n\u00e9cessite 6 \u00e9tapes de travail pour le mener \u00e0 bien. Voici ces \u00e9tapes et votre avancement dans le projet.<br>Les tuteurs ou personnes ressource  sont <strong>TOM<\/strong>, <strong>LORENZO<\/strong>, <strong>EVAN<\/strong> et <strong>CL\u00c9MENT<\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table><tbody><tr><td><strong>\u00c9TAPES \u00c1 VALIDER<\/strong><\/td><td><strong>PERSONNES AYANT VALID\u00c9 CETTE \u00c9TAPE<\/strong><\/td><\/tr><tr><td><\/td><td><\/td><\/tr><tr><td><strong>1\/<\/strong> R\u00e9aliser la silhouette de votre personnage imaginaire (INKSCAPE) <\/td><td><strong><em>Le 3\/12\/2019<\/em><\/strong><br>\u00e9tape valid\u00e9e par tous<\/td><\/tr><tr><td><\/td><td><\/td><\/tr><tr><td><strong>2\/<\/strong> D\u00e9tourer votre photo pour isoler votre silhouette (GIMP)<br>                              &gt;&gt;&gt;&gt;&gt;&gt; <a rel=\"noreferrer noopener\" href=\"http:\/\/www.nparo.fr\/DATAS\/3e\/detourage-GIMP.pdf\" target=\"_blank\">un tuto ici<\/a> &lt;&lt;&lt;&lt;&lt;&lt;&lt;<\/td><td><strong>D\u00e9but de l&rsquo;\u00e9tape le 6\/01\/2020<\/strong><\/td><\/tr><tr><td><\/td><td><\/td><\/tr><tr><td><\/td><td><\/td><\/tr><tr><td><strong>3\/<\/strong> Trouver et prendre en photo un fond adapt\u00e9 \u00e0 votre personnage et votre mise en sc\u00e8ne<\/td><td><\/td><\/tr><tr><td><\/td><td><\/td><\/tr><tr><td><strong>4\/<\/strong> Associer votre fond, votre silhouette d\u00e9tour\u00e9e et la silhouette de votre personnage (GIMP)<\/td><td><\/td><\/tr><tr><td><\/td><td><\/td><\/tr><tr><td><strong>5\/<\/strong> R\u00e9aliser le montage : ombres, travail des couleurs \u2026 (GIMP)<\/td><td><\/td><\/tr><tr><td><\/td><td><\/td><\/tr><tr><td><strong>6\/<\/strong> R\u00e9aliser l&rsquo;impression finale en vue de l&rsquo;exposition<\/td><td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-large-font-size\">&nbsp;<strong>EXPOS\u00c9S<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-table is-style-stripes\"><table><tbody><tr><td><a href=\"http:\/\/www.nparo.fr\/DATAS\/3e\/methode-expose.pdf\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (s\u2019ouvre dans un nouvel onglet)\"><strong>M\u00e9thode de l&rsquo;expos\u00e9<\/strong><\/a><\/td><td><\/td><td><\/td><td><\/td><td class=\"has-text-align-center\" data-align=\"center\"><\/td><\/tr><tr><td><strong>GROUPES<\/strong><\/td><td><strong>SUJETS<\/strong><\/td><td><strong>SUIVI :<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/td><td><\/td><td class=\"has-text-align-center\" data-align=\"center\"><strong>DATES EXPOS\u00c9S<\/strong><\/td><\/tr><tr><td><\/td><td><\/td><td><\/td><td><\/td><td class=\"has-text-align-center\" data-align=\"center\"><\/td><\/tr><tr><td><strong>G1<\/strong><br>  &#8211; <strong>Jouanneau Hugo<\/strong><br>&#8211; Pigeat Eva<br> &#8211; Gauthey Quentin<\/td><td>Arcimboldo<br> VERTUME , 1590<br><br><a rel=\"noreferrer noopener\" aria-label=\"Lien vers vos notes (s\u2019ouvre dans un nouvel onglet)\" href=\"https:\/\/mypads.framapad.org\/mypads\/?\/mypads\/group\/exposes-3e-subdray-2019-2020-3735b7ai\/pad\/view\/g1-arcimboldo-vertume-1590-jl38b7yl\" target=\"_blank\">Lien vers vos notes<\/a><br><br><a rel=\"noreferrer noopener\" aria-label=\"EVALUATION (s\u2019ouvre dans un nouvel onglet)\" href=\"http:\/\/www.nparo.fr\/DATAS\/3e\/eval-expose-G1.jpg\" target=\"_blank\">EVALUATION<\/a> du groupe<br><br><a href=\"http:\/\/www.nparo.fr\/DATAS\/3e\/eval-notationclasse.jpg\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"EVALUATION (s\u2019ouvre dans un nouvel onglet)\">EVALUATION<\/a> des correcteurs<\/td><td><strong><em>14\/01\/2019 :<\/em><\/strong><br>&#8211; Faire un plan, pr\u00e9parer le diaporama, r\u00e9partir la parole et s&rsquo;entra\u00eener \u00e0 l&rsquo;oral.<br><\/td><td><\/td><td class=\"has-text-align-center\" data-align=\"center\"><strong>EXPOS\u00c9 le 21\/01<\/strong><\/td><\/tr><tr><td><\/td><td><\/td><td><\/td><td><\/td><td class=\"has-text-align-center\" data-align=\"center\"><\/td><\/tr><tr><td><strong>G4<br> <\/strong>&#8211; Ferreira Lorindo<br> &#8211; Fonseca St\u00e9phane<br><strong>&#8211;  Marteau Lacour Benjamin<\/strong><\/td><td>Duane Hanson<br> TOURIST II, 1988.<br><br><a rel=\"noreferrer noopener\" aria-label=\"Lien vers vos notes (s\u2019ouvre dans un nouvel onglet)\" href=\"https:\/\/mypads.framapad.org\/mypads\/?\/mypads\/group\/exposes-3e-subdray-2019-2020-3735b7ai\/pad\/view\/g2-duane-hanson-touristii-1988-21-01-p23fb7mm\" target=\"_blank\">Lien vers vos notes<\/a><br><br><a href=\"http:\/\/www.nparo.fr\/DATAS\/3e\/eval-expose-G4.jpg\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\" (s\u2019ouvre dans un nouvel onglet)\">EVALUATION<\/a> du groupe<br><br><a href=\"http:\/\/www.nparo.fr\/DATAS\/3e\/eval-notationclasse-duG4.jpg\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"EVALUATION (s\u2019ouvre dans un nouvel onglet)\">EVALUATION<\/a> des correcteurs<\/td><td><strong><em>14\/01\/2019 :<\/em><\/strong><br>&#8211; Etapes 7, 8, 9 \u00e0 faire<br><br><\/td><td><\/td><td class=\"has-text-align-center\" data-align=\"center\"><strong>EXPOS\u00c9 le 28\/01<\/strong><\/td><\/tr><tr><td><\/td><td><\/td><td><\/td><td><\/td><td class=\"has-text-align-center\" data-align=\"center\"><\/td><\/tr><tr><td><strong>G7<\/strong><br>&#8211; Hurand Maxime<br>&#8211; Poinot Jules<br> &#8211; Soro Evan<br> <strong>&#8211; Tavenard Matt\u00e9o<\/strong><\/td><td>R. Depardon<br> Tommie Smith et John Carlos (Black panthers) ,<br> 1968<br><br><a href=\"https:\/\/mypads.framapad.org\/mypads\/?\/mypads\/group\/exposes-3e-subdray-2019-2020-3735b7ai\/pad\/view\/g3-a-warhol-marylin-monroe-1967-10-03-vr3qb7zh\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Lien vers vos notes (s\u2019ouvre dans un nouvel onglet)\">Lien vers vos notes<\/a><\/td><td><strong><em>14\/01\/2019 :<\/em><\/strong><br>&#8211; Poursuivre les ETAPES 7, 8 et 9<\/td><td><\/td><td class=\"has-text-align-center\" data-align=\"center\"><strong>EXPOS\u00c9 le 03\/03<\/strong><\/td><\/tr><tr><td><\/td><td><\/td><td><\/td><td><\/td><td class=\"has-text-align-center\" data-align=\"center\"><\/td><\/tr><tr><td><strong>G3<br> &#8211; Franco Lorenzo<\/strong><br>&#8211; Desdoits Joris<br>&#8211; Redhon Axel<\/td><td>A. Warhol<br> Marylin Monroe , 1967<br><br><a href=\"https:\/\/mypads.framapad.org\/mypads\/?\/mypads\/group\/exposes-3e-subdray-2019-2020-3735b7ai\/pad\/view\/g4-duane-hanson-5n3tb7zi\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Lien vers vos notes (s\u2019ouvre dans un nouvel onglet)\">Lien vers vos notes<\/a><\/td><td><strong><em>14\/01\/2019 :<\/em><\/strong><br>R\u00e9aliser les ETAPES 5 et 6<\/td><td><\/td><td class=\"has-text-align-center\" data-align=\"center\"><strong>EXPOS\u00c9 le 10\/03<\/strong><\/td><\/tr><tr><td><\/td><td><\/td><td><\/td><td><\/td><td class=\"has-text-align-center\" data-align=\"center\"><\/td><\/tr><tr><td><strong>G6<br> Moreux Cl\u00e9ment<\/strong><br>Sanglier Louis <br>&#8211;  Apert Ang\u00e9lique <br><br> <\/td><td>J. Vermeer<br> La jeune fille \u00e0 la perle , vers 1665<br><br><a href=\"https:\/\/mypads.framapad.org\/mypads\/?\/mypads\/group\/exposes-3e-subdray-2019-2020-3735b7ai\/pad\/view\/g6-j-vermeer-jf-a-perle-1665-17-03-1z46b7f6\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Lien vers vos notes (s\u2019ouvre dans un nouvel onglet)\">Lien vers vos notes<\/a><\/td><td><strong><em>14\/01\/2019 :<\/em><\/strong><br>Poursuivre ETAPE 6, 7 et 8<\/td><td><\/td><td class=\"has-text-align-center\" data-align=\"center\"><strong>EXPOS\u00c9 le 17\/03<\/strong><\/td><\/tr><tr><td><\/td><td><\/td><td><\/td><td><\/td><td class=\"has-text-align-center\" data-align=\"center\"><\/td><\/tr><tr><td><strong>G2<br>&#8211; Lahmeur Ambre<\/strong><br>&#8211; Cl\u00e9ment F\u00e9lix<br> &#8211; Rassat Battiste<br><\/td><td>D. Lange<br> Florence Owens Thompson, M\u00e8re<br> migrante (Migrant Mother) , 1936.<br><br><a href=\"https:\/\/mypads.framapad.org\/mypads\/?\/mypads\/group\/exposes-3e-subdray-2019-2020-3735b7ai\/pad\/view\/g2-d-lange-migrant-mother-1936-24-03-4147b7lo\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Lien vers vos notes (s\u2019ouvre dans un nouvel onglet)\">Lien vers vos notes<\/a><\/td><td><strong><em>14\/01\/2019 :<\/em><\/strong><br>Reprendre le travail depuis les remarques en rouge.<\/td><td><\/td><td class=\"has-text-align-center\" data-align=\"center\"><strong>EXPOS\u00c9 le 24\/03<\/strong><\/td><\/tr><tr><td><\/td><td><\/td><td><\/td><td><\/td><td class=\"has-text-align-center\" data-align=\"center\"><\/td><\/tr><tr><td><strong>G5<br> &#8211; Lipuzcoa Matt\u00e9o<\/strong><br> &#8211; Vataire Tom<br> &#8211; Vincent Thibault<\/td><td>N. Rockwell<br> Triple Self portrait , 1960<br><br><a href=\"https:\/\/mypads.framapad.org\/mypads\/?\/mypads\/group\/exposes-3e-subdray-2019-2020-3735b7ai\/pad\/view\/g5-n-rockwell-3-self-portrait-31-03-9z49b725\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Lien vers vos notes (s\u2019ouvre dans un nouvel onglet)\">Lien vers vos notes<\/a><\/td><td><strong><em>14\/01\/2019 :<\/em><\/strong><br>Poursuivre le travail de recherche<br><strong>IMPORTANT RETARD<\/strong><\/td><td><\/td><td class=\"has-text-align-center\" data-align=\"center\"><strong>EXPOS\u00c9 le 31\/03<\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; \/\/\/ Cours : Le portrait &#8211; et &#8211;Projet : \u00ab\u00a0si j&rsquo;\u00e9tais un personnage imaginaire, je serai &#8230;\u00ab\u00a0 TROUVEZ L&rsquo;INTRU ! TROUVEZ L&rsquo;INTRU ! TROUVEZ L&rsquo;INTRU ! \/\/\/ Cours : Le portrait &nbsp; HISTOIRE DE L&rsquo;ART : LE PORTRAIT INTRODUCTIONL&rsquo;histoire de l&rsquo;art est une discipline, une mati\u00e8re, que l&rsquo;on enseigne en France depuis l&rsquo;\u00e9cole maternelle [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"aside","meta":{"footnotes":""},"categories":[21,22,1],"tags":[],"_links":{"self":[{"href":"https:\/\/nparo.fr\/index.php?rest_route=\/wp\/v2\/posts\/1440"}],"collection":[{"href":"https:\/\/nparo.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nparo.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nparo.fr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nparo.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1440"}],"version-history":[{"count":119,"href":"https:\/\/nparo.fr\/index.php?rest_route=\/wp\/v2\/posts\/1440\/revisions"}],"predecessor-version":[{"id":3600,"href":"https:\/\/nparo.fr\/index.php?rest_route=\/wp\/v2\/posts\/1440\/revisions\/3600"}],"wp:attachment":[{"href":"https:\/\/nparo.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1440"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nparo.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1440"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nparo.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1440"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}